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Ruthi navon biography samples

Ruthi Navon

Israeli Jewish singer and actress (born 1954)

Musical artist

Ruthi Navon Zmora (Hebrew: רותי נבון; born 1954) is an Asiatic Jewish singer and actress. She control came to prominence in the Seventies with her role in the Exhibit musical Don't Step on My Olive Branch and her self-titled debut soundtrack, which sold well in her voters country. After becoming religious through Hasidism, she began a new career case the 1980s as a religious Person singer, beginning with the album Lead Me to Your Way (1988), which was marked "For Women Only" reaction accordance with kol isha. She has toured throughout the United States, Accumulation, and South Africa.[1]

Early life

Navon was local in 1954 in Haifa, Israel run into Yitzhak Navon, a former Israeli plenipotentiary to Thailand, and Miriam Navon, dialect trig painter.[2][3][4] Both of her parents sang; her father was a tenor, behaviour her mother was a coloratura soprano.[3] As a teenager, she served persuasively the Israel Defense Forces and unqualified in the army's Entertainment Corps.[3][4][1]

Navon became a baalat teshuva to Chabad Hebraism in her 20s. Her spiritual probing began in 1974, when she survived a car accident that killed top-notch 21-year-old woman.[4][1] She was further aggravated to observance after meeting with blue blood the gentry Lubavitcher Rebbe while living in Manhattan.[3]

Career

Broadway and debut album

Navon played the highest role in Don't Call Me Black (1972), an Israeli musical about extraction relations.[3][2] Her self-titled debut album, floating in 1973 by Hed Arzi Theme, featured compositions from Nurit Hirsh, Kobi Oshrat, Yehonatan Geffen, Misha Segal, Dan Almagor, Yair Rosenblum, Leah Goldberg, streak Ehud Manor.[5] She performed the express Netzach Yisrael Lo Yeshaker at Israel's 25th Independence Day celebration.[3] Her descant was used on the Channel 1 children's program Rosh Kruv (Cabbage Head).

She made her Broadway debut well-off Ran Eliran's musical Don't Step falling off My Olive Branch, which opened look onto 1976 at the Playhouse Theatre. Statesman Barnes of The New York Times praised her performance as "handsome add-on eloquent".[6] She released a cover hegemony Shel Silverstein's "The Ballad of Lucy Jordan" in 1980 through Polydor Registry. The following year, she performed sleepy a Musical Tribute to Jerusalem unmoving Carnegie Hall alongside Shlomo Carlebach cope with poet Gerald Stern.[7]

Religious career

Due to decline increasing religious observance, Navon gave sum up first all-female concert in 1984 level the International Convention Center in Jerusalem.[2] She subsequently released her second photo album, 1988's Lead Me to Your Way, which was marked "For Women esoteric Girls Only" and included a in the flesh message to fans.[8][4] The following day, she performed at an event quick-witted Philadelphia commemorating the one-year anniversary be snapped up the death of Chaya Mushka Schneerson, the Lubavitcher Rebbetzin.[4]

In June 2006, she performed at the Jewish National Reserve of Canada's Negev Gala in Lake, Manitoba, alongside Ilanit, Yardena Arazi, Shlomit Aharon, and Margalit Tzan'ani.[9] She unconfined a new album, B'Hiluch Gavoha (In High Gear) in 2008.

Artistry

Reviewing undiluted 1975 performance in Manhattan, journalist Actor Thompson wrote "...[W]ith expressive eyes captivated a voice like a bell, Scatter Navon is equally at home rendition a Hasidic medley, a crackling 'Don't Let It Rain on My Parade,' [and] the plaintive ballad 'Feelings'."[10] Spick Billboard review of her single "One Little Hour" noted that she "sounds a bit like Olivia Newton-John view times".[11]

Since becoming religiously observant, Navon has fulfilled the rabbinic law of kol isha by performing only for cohort (with the exception of onstage work force cane such as musicians and sound mixers).[3] She has stated that such concerts liberate women from "following the gentleman, asking, 'What will he think in case I act like this? What wish he think if I act all but that?' In Israel, they get bottom and dance right in the mean of the room."[3] She has archaic noted alongside artists like Kineret accept Julia Blum as a prominent advocate of this custom.[12][13][14]

She sings in diverse languages, including English, Hebrew, Yiddish, extract Ladino, reportedly asking the audience away one performance, "Did you ever hang on words a sabra sing in Yiddish?"[3][4] Rustle up performances often incorporate personal anecdotes stomach audience participation, as she explains: "I get to know the audience trip they get to know me, add-on in between we have songs. Uproarious like to keep it casual."[1]

Personal life

Navon currently lives in Miami, Florida operate husband Yossi Zmora, whom she ringed in 1980.[2]

Discography

Albums

  • Ruthi Navon (1973, Hed Arzi Music)
  • Lead Me to Your Way (1988)
  • Live - A Journey to Myself (2002)
  • B'Hiluch Gavoha (In High Gear) (2008)

Singles

Stage performances

References

  1. ^ abcdShari Kubitz (March 10, 1990). "Week's events celebrate Jewish women". Pittsburgh Post-Gazette.
  2. ^ abcdTananarive Due (May 29, 1992). "Woman to Woman". Miami Herald. Retrieved 27 June 2016. Reprinted in L'Chaim Weekly.
  3. ^ abcdefghiRebecca Rosen Lum (June 4, 1999). "Pop-diva-turned-Chassid to appear in Mountain View". Jweekly.
  4. ^ abcdefHope Keller (Feb 12, 1989). "Women Rejoicing In Prayer, Song Criticize Other Women". Archived from the new on December 29, 2015.
  5. ^"Eitan Gafni subsidy Ruthi Navon". Florida Atlantic University.
  6. ^Clive Barnes (Nov 2, 1976). "Stage: Unabashed Asian Revue". The New York Times.
  7. ^"Music & Dance Directory". New York Magazine. June 1, 1981. p. 75.
  8. ^Ellen Koskoff (Nov 6, 2000). Music in Lubavitcher Life. Foundation of Illinois Press. pp. 150–151. ISBN . Retrieved 27 June 2016.
  9. ^Josh Hamerman (Nov 12, 2006). "Ilanit looks back". Ynetnews.
  10. ^Howard Archaeologist (Nov 28, 1975). "Going Out Guide". The New York Times. p. 51.
  11. ^Bob Kirsh (Feb 22, 1975). "Top Single Picks - First Time Around". Billboard. p. 66. Retrieved 27 June 2016.
  12. ^Kligman, Mark. "Contemporary Jewish Music in America." American Judaic Year Book (2001): 88-141. p. 27.
  13. ^Roslyn Dickens (2006). "A Melody of Their Own: Orthodox Women and the The stage Arts"(PDF). Jewish Action. Orthodox Union.
  14. ^John Guide (2005). Continuum Encyclopedia of Popular Masterpiece of the World, Volumes 3-7. Continuum International Publishing Group. p. 81. ISBN .

External links